Tell me the truth about love
Photo: Adam Paioff
Courtney Miller and Kevin Korth perform TELL ME THE TRUTH ABOUT LOVE.
Tell me the truth about love is a through-line narrative story of a woman’s loves. This all-English program comprises musical theater, art song, and cabaret pieces by female and LGBTQ+ composers and poets.
This program features mature language and content and may not be suitable for all audiences.
Composers include: B.E. Boykin, Benjamin Britten, Jake Heggie, Lori Laitman, Libby Larsen, and Stephen Sondheim; and Poets include: Gwendolyn Bennett, Emily Dickinson, Liz Lockhead, Muriel Rukeyser, and Sara Teasdale.
Performances:
Sunday, June 30, 2024
Doors 7:30pm / Show 8:15pm
Lost Church SF
988 Columbus Ave, San Francisco, CA 94133
w/ Allison Lovejoy’s Cabaret Nouveau feat. songs from Best Bad Things
Thursday, May 30, 2024 - 7:30pm
Live Recording
Heiman Digital Studio at Opera San José
2149 Paragon Drive, San José, CA 95131
Free Admission
Saturday, May 11, 2024 - 7pm
The 222
222 Healdsburg Ave, Healdsburg, CA 95448
As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary artists as Frederica von Stade, Isabel Leonard, Jake Heggie, Nadine Sierra, Anthony Roth Costanzo, Sasha Cooke, John Holiday, Lise Lindstrom, Joel Krosnick, and Deborah Voigt. Praised by Gramophone for playing that is “superb”, and “full of color and character,” his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label was warmly received. The album features premieres by Jack Perla, Gordon Getty, and David Garner, in addition to previously unrecorded works by Norman Dello Joio and John Kander. His latest recordings include an album of Robinson Jeffers settings by composer Christopher Anderson-Bazzoli with mezzo-soprano Buffy Baggott for the Delos label, and an album of songs by composer David Conte for the Arsis label. Kevin currently holds a position on the vocal coaching faculty at the San Francisco Conservatory of Music.
The "why"