Tell me the truth about love is a through-line narrative story.

The program contains mature language and content and may not be suitable for all audience.

Program Notes

As a classical performer and fan, it’s frustrating that most of the repertoire performed is by male composers and librettists and that foreign language can take away from the drama.  I adore singing in all languages, but when you’re performing in a language that isn’t the audience’s vernacular, an element of the storytelling is lost.  An early gasp or laugh when the audience has read a line on the supertitles, versus what is happening on stage, highlights this disconnect.  Seeing Der Rosenkavalier at Deutsche Oper Berlin, surrounded by a laughing German audience, while I was frantically trying to keep up with the supertitles is an experience I’ll never forget.  When curating recitals, I strive to highlight female and LGBTQ creators, not just because that’s how I identify, but because the music isn’t programmed enough.   And, especially when jokes are involved, I want audiences to understand the sung words in English, and not rely on translations.

Art songs, poems set to music, were the catalyst for my career as an opera singer.  On their own, they’re little vignettes, but when strung together, they can tell a larger story.  Cabaret provides a vast playground for a performer and writer to explore.  I am able to utilize genre and style to evoke different moods and emotions, and craft my own story.

  • Art song cycles have always appealed to me.  A composer will group songs based on a theme, poet, or even tell a through-line narrative story.  On my Junior Recital, I performed Schumann’s art song cycle Frauenliebe und Leben.  It’s a stunning piece of 8 poems recounting “A Woman’s Love and Life,” but looking at the poetry in the current day: it’s dated.  The woman devotes herself to a man, then their baby, and when the man dies, her life is over.  I paired this cycle with Jake Heggie’s Thoughts Unspoken, a 4-song set, written in 1996, which delves into relationship issues from a man’s perspective; it was written for a baritone.  You may notice that my Junior Recital has stuck with me.  “Tell me the truth about love” is a modern retelling of Frauenliebe und Leben.  We celebrate the joys and we mourn the losses.  But there’s also self-discovery, inner-strength, idleness, authenticity, and recovery.  I’m thrilled to highlight my favorite pieces from Libby Larsen’s Love after 1950; the gorgeous and challenging work of Sheila Silver’s Beauty Intolerable, a songbook of Edna St Vincent Millay poems; the passion of B.E. Boykin and Undine Smith Moore’s music; the genius of Stephen Sondheim; and truly all of the composers and poets of this recital.

    I end the program with Heggie’s “To Speak of Love” from Thoughts Unspoken.  This song rings true for me: I wasn’t taught to speak of love.  I owe my understanding of love and empathy to my education in the arts and the people I have met through this career.  And I’m fortunate to have a loving partner who understands my blind spots.  Thank you for coming on this journey with me - supported by my wonderful collaborator, and fellow Wisconsinite, Kevin Korth. - Courtney Miller


Program and Poetry

  • from Cabaret Songs

    O Tell Me the Truth About Love

    W.H. Auden

    Liebe, l’amour, amor, amoris

    Some say that love's a little boy

    And some say it's a bird

    Some say it makes the world go round

    And some say that's absurd

    And when I asked the man next-door

    Who looked as if he knew

    His wife got very cross indeed

    And said it wouldn't do

    Does it look like a pair of pyjamas

    Or the ham in a temperance hotel?

    O tell me the truth about love.

    Does its odour remind one of llamas

    Or has it a comforting smell?

    O tell me the truth about love.

    Is it prickly to touch as a hedge is

    Or soft as eiderdown fluff?

    Is it sharp or quite smooth at the edges?

    O tell me the truth about love

    Your feelings when you meet it,

    I am told you can’t forget,

    I’ve sought it since I was a child

    But haven’t found it;

    I’m getting on for thirty-five,

    And still, I do not know

    What kind of creature it can be

    That bothers people so

    When it comes, will it come without warning

    Just as I'm picking my nose?

    O tell me the truth about love.

    Will it knock on my door in the morning

    Or tread in the bus on my toes?

    O tell me the truth about love.

    Will it come like a change in the weather?

    Will its greeting be courteous or rough?

    Will it alter my life altogether?

    O tell me the truth about love

  • Just for this!

    Cora Randall Fabbri

    Just a multitude of curls,

    Weighing down a little head;

    Two wide eyes, not blue nor gray,

    Like the sky ‘twixt night and day,

    Small red mouth and all to say,

    Has been said.

    Just a saucy word or glance

    And a hand held out to kiss;

    Just a curl a ribbon through

    Just a flower fresh and blue,

    And to think what men will do

    Just for this!

  • from Jubilee

    Just one of those things

    Cole Porter

    It was just one of those things

    Just one of those crazy flings

    One of those bells that now and then rings

    One of those things

    It was just one of those nights

    Just one of those fabulous flights

    A trip to the moon on gossamer wings

    It was one of those things

    If we'd thought a bit about the end of it

    As we started painting the town

    We'd have been aware that our love affair

    Was too hot not to cool down

    So goodbye and amen

    Here's hoping we'll meet now and then

    It was great fun

    But it was just one of those things

    One of those things.

  • from Kiss me Kate

    So in love

    Cole Porter

    Strange dear, but true dear

    When I'm close to you dear

    The stars fill the sky

    So in love, with you, am I

    Even without you

    My arms fold about you

    You know, darling why

    So in love with you am I

    In love with the night mysterious

    The night when you first were there

    In love with the joy delirious

    When I knew that you could care

    So taunt me and hurt me

    Deceive me and desert me

    I'm yours until I die

    So in love

    So in love

    So in love with you, my love, am I

  • from Mystery

    The Mystery (1920)

    Sara Teasdale

    Your eyes drink of me,

    Love makes them shine,

    Your eyes that lean

    So close to mine.

    We have long been lovers,

    We know the range

    Of each other’s moods

    And how they change;

    But when we look

    At each other so

    Then we feel

    How little we know;

    The spirit eludes us,

    Timid and free —

    Can I ever know you

    Or you know me?

  • After Love

    Sara Teasdale

    There is no magic any more,

    We meet as other people do,

    You work no miracle for me

    Nor I for you.

    You were the wind and I the sea—

    There is no splendor any more,

    I have grown listless as the pool

    Beside the shore.

    But though the pool is safe from storm

    And from the tide has found surcease,

    It grows more bitter than the sea,

    For all its peace.

  • from Merrily We Roll Along

    It started out like a song

    We started quiet and slow with no surprise

    And then one morning I woke to realize:

    We had a good thing going.

    It's not that nothing went wrong:

    Some angry moments, of course, but just a few.

    And only moments, no more, because we knew

    We had this good thing going.

    And if I wanted too much

    Was that such a mistake at the time?

    You never wanted enough

    All right, tough, I don't make that a crime

    And while it's going along

    You take for granted some love will wear away

    We took for granted a lot, but still I say:

    It could have kept on growing

    Instead of just kept on

    We had a good thing going,

    Going,

    Gone.

  • from Follies and Merrily We Roll Along

    and Sondheim on Sondheim (2010)

    The sun comes up, I think about you.

    The coffee cup, I think about you.

    I want you so, it's like I'm losing my mind.

    The morning ends, I think about you.

    I talk to friends and think about you.

    And do they know it's like I'm losing my mind?

    All afternoon doing every little chore.

    The thought of you stays bright.

    Sometimes I stand in the middle of the floor

    Not going left, not going right.

    I dim the lights and think about you.

    Spend sleepless nights to think about you.

    You said you loved me,

    or were you just being kind?

    Or am I losing my mind?

    Not a day goes by. Not a single day

    But you're somewhere a part of my life

    And it looks like you'll stay as the days go by

    I keep thinking when does it end?

    Where's the day I'll have started forgetting?

    But I just go on thinking and sweating

    And cursing and crying and turning and reaching

    and waking and dying

    And no, not a day goes by.

    Not a blessed day

    But you're still somehow part of my life

    And you won't go away.

    So there's hell to pay and until I die,

    I'll die day after day after day

    Til the days go by

  • from Love After 1950

    The Empty Song

    Liz Lochhead

    Today saw the last of my Spanish shampoo.

    Lasted an age now that sharing with you,

    such a thing of the past is.

    Giant Size. The brand

    was always a compromise.

    My new one's tailored exactly to my needs.

    Non-spill. Protein-rich.

    Feeds Body, promises to solve my problem hair.

    Sweetheart, these days it's hard to care.

    But oh oh insomniac moonlight

    how unhoneyed is my middle of the night.

    I could see you

    far enough. Beyond me

    how we'll get back together.

    Campsites in Spain, moonlight,

    heavy weather.

    Today saw the end of my Spanish shampoo,

    the end of my third month without you.

  • from Love After 1950

    I Make my Magic (1973)

    Muriel Rukeyser

    I make my magic

    Of forgotten things

    Night and nightmare and the midnight wings

    Of childhood butterflies—

    And the darkness, the straining dark

    Underwater and under sleep—

    Night and a heartbreak try to keep

    Myself, until before my eyes

    The morning sunlight pours

    And I am clear of all the chains

    And the magic now that rains

    Down around me is

    A sunlight magic,

    I come to a sunlight magic,

    Yours.

  • from Newer Everyday

    Silence is all we dread

    Emily Dickinson

    Silence is all we dread.

    There’s Ransom in a Voice—

    But Silence is Infinity.

    Himself have not a face.

  • from Natural Selection

    Animal Passion

    Gini Savage

    Fierce as a bobcat’s spring

    with start-up speeds of sixty miles per hour

    I want a lover to sweep me off my feet

    and slide me into the gutter

    without the niceties of small-talk roses or champagne.

    I mean business.

    I want whiskey

    I want to be swallowed whole,

    I want tiles to spring off the walls

    when we enter hotel rooms or afternoon apartments

    I won’t pussy-foot around responsibility

    “shoulds” and “oughts” are out for good.

    And I don’t want to be a fat domestic cat

    I want to be frantic,

    yowls and growls to sound like the lion house

    at feeding time

    I don’t give a damn who hears,

    I don’t give a damn!

    no discreet eavesdroppers’ coughs can stop us

    in our frenzy.

    Let the voyeurs voient

    and let the great cats come.

  • Published in 2018

    I used to sigh

    Madeleine Dring

    I used to sigh for the ideal love,

    I used to cry for the moon,

    I really thought I should find true love,

    And it had to be soon;

    But oh, what a fool was I.

    I used to dream of the one untouched

    Waiting to come to my arms,

    I was the dream he would love so much,

    He’d never look elsewhere for charms,

    But oh, what a fool was I.

    And now that I know the things that I know,

    I sleep, but I dream no more.

    Though not made of ice, I’ll never love twice

    the way that I loved before.

    I used to hope for sweet memories,

    Now I try to forget.

    After all that, you’ve done to me,

    I’ll take you back yet,

    For oh, what a fool am I.

  • from One Life Stand

    Rubbish at adultery

    Sophie Hannah (2007)

    Must I give up another night

    To hear you whinge and whine

    About how terribly grim you feel

    And what a dreadful swine

    You are? You say you’ll never leave

    Your wife and children. Fine;

    When have I ever asked you to?

    I’d settle for a kiss.

    Couldn’t you, for an hour or so,

    Just leave them out of this?

    A rare ten minutes off from guilty

    Diatribes—what bliss.

    Yes, I’m aware you’re sensitive:

    A tortured, wounded soul.

    I’m after passion, thrills, and fun.

    You say fun takes its toll,

    So what are we doing here? I fear

    We’ve lost our common goal.

    You’re rubbish at adultery.

    I think you ought to quit.

    Trouble is, at fidelity

    You’re also slightly shit.

    Choose one and do it properly

    You stupid, stupid git.

  • from Beauty Intolerable

    What lips my lips have kissed (1920)

    Edna St. Vincent Millay

    What lips my lips have kissed, and where, and why,

    I have forgotten, and what arms have lain

    Under my head till morning; but the rain

    Is full of ghosts tonight, that tap and sigh

    Upon the glass and listen for reply,

    And in my heart there stirs a quiet pain

    For unremembered lads that not again

    Will turn to me at midnight with a cry.

    Thus in the winter stands the lonely tree,

    Nor knows what birds have vanished one by one,

    Yet knows its boughs more silent than before:

    I cannot say what loves have come and gone,

    I only know that summer sang in me

    A little while, that in me sings no more.

  • from 5 Songs to Poems -- Texts by Walt Whitman

    To you (1855)

    Walt Whitman

    Stranger, if you passing meet me and desire to speak to me, why should you not speak to me?

    And why should I not speak to you?

  • from Valentines from Amherst

    Wild nights - Wild nights! (1861)

    Emily Dickinson

    Wild nights - Wild nights!

    Were I with thee

    Wild nights should be

    Our luxury!

    Futile - the winds -

    To a Heart in port -

    Done with the Compass -

    Done with the Chart!

    Rowing in Eden -

    Ah - the Sea!

    Might I but moor - tonight -

    In thee!

  • Secret (1927)

    Gwendolyn Bennet

    I shall make a song like your hair.…

    Gold-woven with shadows green-tinged,

    And I shall play with my song

    As my fingers might play with your hair.

    Deep in my heart

    I shall play with my song of you,

    Gently….

    I shall laugh

    At its sensitive luster…

    I shall wrap my song in a blanket,

    Blue like your eyes are blue

    With tiny shots of silver.

    I shall wrap it caressingly,

    Tenderly.…

    I shall sing a lullaby

    To the song I have made

    Of your hair and eyes...

    And you will never know

    That deep in my heart

    I shelter a song for you

    Secretly….

  • I want to die while you love me (1922)

    Georgia Douglas Johnson

    I want to die while you love me

    Georgia Douglas Johnson

    I want to die while you love me,

    While yet you hold me fair,

    While laughter lies upon my lips

    And lights are in my hair.

    I want to die while you love me,

    And bear to that still bed,

    Your kisses turbulent, unspent

    To warm me when I’m dead.

    I want to die while you love me

    Oh, who would care to live

    Till love has nothing more to ask

    And nothing more to give?

    I want to die while you love me

    And never, never see

    The glory of this perfect day

    Grow dim or cease to be!

    I want to die while you love me,

    And bear to that still bed,

    Your kisses turbulent, unspent

    To warm me when I’m dead.

  • from Cabaret Songs

    Funeral Blues (1937)

    W.H. Auden

    Stop all the clocks, cut off the telephone,

    Prevent the dog from barking with a juicy bone,

    Silence the pianos and with muffled drum

    Bring out the coffin, let the mourners come.

    Let aeroplanes circle moaning overhead

    Scribbling on the sky the message ‘He is Dead.’

    Put crepe bows round the white necks of the public doves,

    Let the traffic policemen wear black cotton gloves

    He was my North, my South, my East and West,

    My working week and my Sunday rest,

    My noon, my midnight, my talk, my song;

    I thought that love would last forever: I was wrong.

    The stars are not wanted now; put out every one,

    Pack up the moon and dismantle the sun,

    Pour away the ocean and sweep up the woods;

    For nothing now can ever come to any good.

  • Op. 28, No. 20

  • from Thoughts Unspoken

    To speak of love

    John Hall

    I can speak about loneliness.

    I can speak about pain.

    Showing anger is easy for me,

    I know how to complain.

    I can tell you a story.

    I can argue and fight.

    I’ll convince and persuade you

    When I’m wrong, that I am right.

    I’ll describe complex theories.

    I can rave, I can rant about trivial details.

    But there’s one thing I can’t -

    I wasn’t taught to speak of love

    And when I try to say just how I feel

    It sounds unreal

    My words get in the way

    Oh, sure, I’ll say “I love you, dear.”

    That never has been hard

    But I have more to tell you

    than a dime store greeting card.

    If words cannot express my love

    And what I say sounds wrong, sounds wrong

    Then music is my only hope

    And when you hear this song

    Know that that it says: I love you

    Says I need you

    Just understand one thing:

    You are the song I sing

Artists

  • Opera News aptly praised Courtney Miller’s “fluent musicality.” Known for her “captivating stage presence,” Ms. Miller excels across genres. Most recently seen as Berta in THE BARBER OF SEVILLE, Gertrude in ROMEO ET JULIETTE, and Giovanna in RIGOLETTO with Opera San José, Ms. Miller has sung with companies and orchestras across the country, including Detroit Opera, Florida Grand Opera, Virginia Opera, Madison Opera, Chautauqua Symphony, and aboard Azamara Club Cruises. A lover of new music, Ms. Miller has debuted works with American Lyric Theater, Juventas New Music Ensemble, and Boston Art Song Society. In 2022, she made her San Francisco Opera solo debut as Sister St. Charles in DIALOGUES OF THE CARMELITES and returns this fall as Warren's Wife in THE HANDMAID’S TALE. In the 2024-25 season, she debuts with the San Francisco Choral Society in Mendelssohn’s ELIJAH, and with the Sonoma County Philharmonic. Ms. Miller is an award winning recitalist and was described as “possessing a delicacy and diction very appealing, and the strength to bring it home” (The Chautauquan Daily). She specializes in curating programs that tell compelling stories that highlight female and LGBTQ+ composers.

  • As an in-demand recitalist and coach, pianist Kevin Korth has collaborated with such legendary artists as Frederica von Stade, Isabel Leonard, Jake Heggie, Nadine Sierra, Anthony Roth Costanzo, Sasha Cooke, John Holiday, Lise Lindstrom, Joel Krosnick, and Deborah Voigt. Praised by Gramophone for playing that is “superb”, and “full of color and character,” his debut album, Out of the Shadows, a recording of American art song with soprano Lisa Delan and cellist Matt Haimovitz on the Pentatone Classics label was warmly received. Kevin currently holds a position on the vocal coaching faculty at the San Francisco Conservatory of Music.


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